Spreadsheet is here.
Tuesday, 22 September 2020
Thursday, 10 October 2019
Goldsmith Street: an Environmental Beacon of Hope?
Yesterday came the news that a social housing development in
Norwich had won the prestigious RIBA Stirling prize. Goldsmith Street is a mix
of 105 dwellings from 1-bed flats to 4-bed flats built to the iconic “Passivhaus”
standard.
The BBC website
described it thus:
Riba said the estate's
environmental credentials made it a "beacon of hope" and highly
unusual for a mass housing development.
However, there is more to “environmental credentials” than
heating energy required. There is also ecology. I noted in the background of photos
accompanying the BBC article what looked like American paper birches, Betula
papyrifera. B. papyrifera is a stock tree for developers, and a species that causes
ecologists to grind their teeth. Unlike the native silver birch Betula pendula,
B. papyrifera has essentially zero ecological value. This is because native aphids
do not colonise it, which in turn eliminates an important source of food for
urban birds like blue tits. You might as well (and I am almost serious) plant a
plastic tree instead.
| Moribund paper birch at Goldsmith St |
I walked over to have a look yesterday to confirm my
suspicions. Sure enough, there are plenty of paper birches around, particularly
in the central communal area described by the chair of the prize judges as “lushly-planted.”
(Quoted in the EDP).
I would instead describe it as a monosward of rye grass, apparently moribund
trees of zero ecological value, and a token flower bed (I did see a honey bee
visiting a ?Heuchera? – that was the only non-human animal life I saw on my
visit). Elsewhere there were field maples, which do have a good ecological value.
It is notable that the original ecological appraisal for the development (Wild
Frontier Ecology 2014; available after much digging on the Norwich City Council
planning portal, case 15/00272/F) nowhere invites the use of B. papyrifera.
The same article in the EDP gives the cost of the development at £17 million,
for 45 1-bed flats, 40 2-bed houses, three 2-bed flats and five 4-bed flats,
for a cost of about £112 grand per bedroom. (Apparently adding up to 103, not 105.) At such cost, there ought to be a
few quid spare for wildlife.
Final observation, not ecological: I could not help but notice that, a day after taking the prize, the
mortar was already crumbling out of several of the windows. Mix too sandy perhaps? Who knows. Such
trifles obviously don’t concern the wise minds at RIBA.
| Mortal mortar |
Tuesday, 14 May 2019
Norfolk Big Fields 1
The first in a (hopefully) occasional series.
Question: how many metres of hedgerow were lost in the making of this nearly 100-acre field?
Bonus question: how many trees were lost in the process?
Whenever you see odd-shaped fields, there is a good chance you are looking at what was once several smaller fields. Thankfully with the excellent resource at Norfolk County Council's mapexplorer it is possible to warp back in time to see whether your suspicions are correct. Here's the first edition OS map (1879-1886):
You can see the outline of the modern field easily enough, & a quick count shows that it was originally 12 fields. Actually if you go back to the 1840 Tithe map you can see a further 5 field divisions (not shown here, but drawn in later...). Fast forward to 1945:
The field boundaries are the same as in the OS1 map: usefully,
individual trees are also visible. But by 1988, the hedgerows and trees
have been removed:
Finally, the trees visible on the 1945 RAF aerial have been drawn in too. These were probably mature oaks.
And so it is now possible to tally everything up. Between 1840 and OS 1st edition, 950 m of hedgerows were lost, with 150 m gained, for a net loss of 800 m. From 1945 to 1988, 3070 m of hedgerows were lost. The total over the mapped period lost was 3870 m, not including the 150 m added and subsequently removed.
Bonus answer: the number of trees, probably all oaks, lost was, by my count, 26.
Friday, 30 September 2016
The Undiscovered Country
[The following short was written for the Friends of Lowestoft Library's literature festival competition 2016. The prize on offer was a book token of uncertain value (anyway, I was going to decline in the event that I won - long story). The brief was to write a story under 1500 words on the theme of "To be or not to be..." I called it "The Undiscovered Country" (see what I did there) and for extra brownie points, I set it in an anonymous seaside town that could very well have been Lowestoft itself. Caveat 1: the story is written in present tense, and gawd, I hate present tense (very hard to pull off; lazy writer's quick steroid injection to beef up naff work). For some reason I was feeling "present" for this one. Caveat 2: the story was banged out and not edited (deadline was short). The bounders extended the deadline after I'd rushed to get it in. So there are undoubtedly bits that would benefit from a bit of emery cloth.
Either way, the judges were not impressed! Enjoy, or not, as the case may be.]
===
Either way, the judges were not impressed! Enjoy, or not, as the case may be.]
===
The Undiscovered Country
At about three-thirty, unable to sleep, I finally go to confront him.
What do I have to fear now? Nothing. But I stand at the door in the
dim corridor with my fist raised to knock as if time has frozen.
The sounds in room 121 go on. There is more than a door between me
and the sounds: there is a world.
I stare at the numbers on the door and do not knock. Instead, at
three-thirty on a winter morning, I first return to my room and pace
like an impotent; then I go outside. In the hall at the foot of the
carpeted stairs, the lone overhead light is buzzing on and off.
To be on, or to be off.
To live on.
To die.
To fight on, to cling to the ever-shrinking handfuls of light between
the enveloping arms of darkness. Why does it buzz on futilely? A moth
soughs and flutters against a window, trapped in sight of a goal it
can never reach.
At the bottom of the stairs the bar is empty, silent. The only light,
shining through the glass door, is the garish kaleidoscopic
flickering of a gambling machine. I think of the empty chairs and the
stained tables. I remember the barman, pouring my order the moment I
walked into the bar for the second time. I remember the bar's carpet:
matted into a beery, tacky, colourless film.
I turn away to the door that leads outside, into the bitterness of a
February night. The strip is deserted, still lit by hopeful orange
lights. The waves are unseen, their sound a dead mechanical rumble,
the murmur of an eternal machine. In this machine the pointless waves
forever throw themselves against the land and fall back, spent,
beaten. Then they gather themselves and try again and again fail.
There are lights out there on the oil-black sea, buoys, rigs,
windmills, a passing vessel.
A door behind me slams open and closed.
I look reflexively.
The man has come from room 121. He looks at me with a swagger, a
challenge: what am I going to do about it?
The answer: nothing. It's an answer I always give.
He drives off, back to a world he can pretend does not impinge upon
this time, this place. Until he grows a baser fruit that needs
plucking.
The door opens again before the echoes of the departing car have
gone. The woman is black-eyed, unbeaten; under the streetlights her
skin is translucent, like waxed paper wrapping a bruise. She is aged,
but not old; aetiolated, starved, wretched – but upright, unafraid,
level. She has sung her song until the words have become meaningless.
I shudder. A momentary instinctive revulsion rises up in me, as if
the ill-use, the dark times in dirty square rooms, the fond grip of
merciless laughter, might exist as a real thing, a scum, a miasma, a
crumb of dirt, a contagion that might rub off. It makes my
involuntary first step a backwards one, not a forwards one.
“Sorry about the noise,” she says, in an even tone. She meets my
eye for a second.
“I was awake anyway.”
“So you heard everything,” she says, and turns away to look up
and down the deserted seafront. “Sorry about that.”
“No. It wasn't that bad,” I say. I think of the way I stood in
front of her door but did not knock.
She looks at me again, measuring me. “What are you doing in this
hellhole?”
“Holiday,” I say. The word sounds hollow. Pleased to meet you,
and by the way, I'm a liar.
“No-one comes here for a holiday. Not at this Godforsaken time of
year.” She says this without rebuke.
“I was just thinking about the waves,” I blurt. “About how
pointless they are, doing the same thing over and over again, failing
and trying, trying and failing.”
“But each wave is new. Each only exists for a moment. They do not
fail; their lives end in defeat, as all lives do. But they throw
themselves into the fight without regret. Their defeat is their
victory. Their pride, their glory; their magnificence.”
I don't know what to say to that. I remember something long
forgotten: an old vagrant, sitting on the station steps in a puddle
of his own making, reciting Shakespeare. He looked up as I approached
and addressed a few lines to me:
“...Who would fardels bear
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?”
I walked by him, stepping over the tiny rivulet. I said nothing. I
did nothing. I gave my usual answer. The old man carried on his
speech until I could hear him no more. The Shakespearean philosopher
was right to fear death; but for the materialist there is only
permanent nothing. The old vagrant Hamlet had a beginning, and must
after these intervening years have had an end. As do we all.
“I can't stand too close to you,” the woman says, and begins to
walk away. “It's business.”
Whatever chance I had, I missed it. I look up and down the strip; it
is deserted. Even the paired red lights of the departing car have
vanished from view. We two are the only souls left. She is a lost
soul, but so am I. One lost soul cannot guide another. But they draw
one another, like flotsam rolled together in a restless sea, soon
parted by chance eddies.
“You could leave,” I call out. “Get on a bus and go.”
She looks back, already far away. “So could you.”
I watch as she moves away. The February wind is bitingly cold.
After a time, shivering, I go inside.
*
When I awake, it is dark again. The days are devilishly short at this
time of year, the nights nightmarishly long.
The whisky and the pills stand untouched on the counter, just as they
have done these past fourteen days.
I am not ready, and may never be ready to live again. But I am not
yet ready to die.
*
I stand outside her door, and this time I knock. I cannot just leave.
We shared only a few short moments, a few words. I don't know her
name. But I cannot just leave. For a long time I think she isn't
coming, but finally the door opens.
“What do you want?” she asks coldly.
“I'm going back,” I say. Now, suddenly, I wonder why she should
be interested to hear that.
“Good for you,” she says, but she doesn't mean it. She doesn't
care either way.
I want to tell her that I watched the flowers wither. I want to say
that I hid from the knocking at the door, and in the end the knocking
stopped. But I do not. I cannot. Instead, hopelessly, I hand her the
whisky and the pills. “One at a time,” I say, in case she sees an
implication in my gift that isn't there.
A smile. Not at the gift, but at the caveat. “We're all just
crossing the river,” she says, and takes both gifts, “one stone
at a time.”
“I'll come back,” I say.
“Why?” she asks.
I want to explain that lost souls cannot save one another; they need
an anchor, a grounding, something to pull against to haul themselves
to shore. But I can't find the words. Instead, I say: “To save
you.”
She looks downcast for a moment. Then she shapes a bitter smile.
“Men,” she says, “are all the same.”
She closes the door, quietly but firmly, in my face.
THE END
Wednesday, 7 September 2016
Rules for Private Investigators
[This tad of micro-fiction was entered into this year's Noirwich competition. It didn't make the shortlist. To be fair the notes I made for it were longer than the word allowance (500), and it was hard to trim. Enjoy, or not, apparently.]
Nothing. Then:
Tat tat tat.
Tat tat tat.
The cold light of a
Mousehold dawn.
Thin dew on the
windscreen.
Tat tat tat.
Callum Daly, still in
his pyjamas.
I wound down the window
and saw that the kid had brought me a mug of coffee. I could already
taste it: bitter, with the high cloying notes of cheap instant.
“Mum says you're not
to come around here,” Callum said, handing me the mug.
“Morning Callum.”
“Morning Mrs
Chandler.”
“Ms. You want me to
give up?”
“He won't come back
this way again,” the boy said. He tried to smile.
Rule one: never give
up.
I left the empty mug on
the Dalys' doorstep and drove south.
Riverside Road, not far
past dawn: river cruisers moored to my right, their occupants'
uncompleted sleep windowed by late night noise and inadequate
curtains.
There was only one
pedestrian: a girl, eighteen, twenty, returning from an all-nighter
and looking rather worse for wear. Golden light suffused her golden
hair; she'd run her fingers through it recently, but not a brush.
A white van pulled up.
There were two men inside.
I pulled over too. Good
Samaritans, or...?
The girl had lost her
shoes. A hell of a night.
The van's passenger
emerged. The girl didn't seem to notice him.
“Heavy night?” he
asked; as she made to pass him, he grabbed her.
I'd seen enough.
I keep my girl's best
friend in the glovebox. Nothing fancy. Anodised titanium.
I got out of the car.
The man was manoeuvring the girl towards the van's side door. She
resisted. A little bit.
I crossed the road.
Only now did the man see me. “Get lost,” I told him, and put my
left arm between them.
He hadn't seen what I
was holding in my right hand.
“Mind your own, cow.
We're just giving her a lift home.”
The driver's door
opened.
Rule two: either hit
someone or don't.
I hit him.
He reeled away,
clutching his face. Blood welled up between his fingers. He let go of
the girl.
The van roared off a
moment later. “I'll have the law on you,” the passenger shouted.
“Join the queue,” I
said softly.
The girl had a neck
wound: two punctures, like a vampyre bite. Cute.
“What are you on?”
I snapped my fingers in front of her eyes.
There was no
comprehension there.
“Whoever did this...
I can see them jailed.” Or hurt. Her choice.
A head shake. No.
“You sure?”
She nodded.
I pressed my card into
her hand. She looked down long enough to read it:
Ruth
Chandler
Private
Investigator
Norwich
“If you change your
mind...”
Nothing.
“Can I drive you
home?”
She shook her head.
I watched her shuffle
away towards the station. My card fluttered to the ground like a dead
butterfly.
Rule three: you can't
save everyone.
I shrugged and drove
south.
Monday, 29 April 2013
Sir James Edward Smith – the other Norfolk scientist
I wrote this essay in 2009.
“At the distance of Norwich you will be
quite buried alive.”
We are overrun with anniversaries at the moment.
It is Darwin’s 200th birthday this year; the father of modern
taxonomy - Carl Gustav Linnaeus - celebrated his 300th
birthday in 2007. Nicely sandwiched in between these two august scientists is
our own local hero Sir James Edward Smith, whose 250th birthday it
is this year.
James Edward Smith was the eldest of seven
children of James Smith, a wealthy textile merchant. Smith developed an
unquenchable enthusiasm for botany at an early age. According to The
Worthies of Norwich (1892), he ‘longed to possess the delicate blue flowers
of the wild succory as a small child…’ At that time, Norfolk, and in particular
Norwich, was a hotbed of botanical enthusiasm. Smith became one of half-a-dozen
or so botanists in Norwich who were ‘among the first to study the writings and
adopt the system of Linnaeus.’ Smith wanted to study botany formally but in
1771 was sent to Edinburgh University to study medicine instead under John
Hope, who as luck would have it was a proponent of the Linnaean system. When
Smith moved to London two years later to study anatomy, Hope gave him a letter
of introduction to give to Joseph Banks, that great patron of science. At a
breakfast together one day, Banks revealed that he had been offered Linnaeus’
biological collection, but had refused it. He encouraged Smith to buy it
himself. It would be no exaggeration to say that this was an extremely
significant moment in the history of science in Britain.
The contribution of Linnaeus himself to botany
and taxonomy (the naming and classification of living things) is immeasurable.
His binomial (two name) system of describing plants and animals has been used
ever since (familiar examples being Homo sapiens, people, and Rattus
rattus, the black rat). His classification was the first attempt to apply
structure to the bewildering array of wild things in the world. There were
mistakes (like whales classified with fish), but Linnaeus’s Systema Naturae
as his classification was called was the template for the biological
classification scientists rely on today. The Systema Naturae was built
upon a vast collection of plants and animals – and it was this, after its
originator’s death and that of his son, which had suddenly become available to
buy. It was the foremost store of biological knowledge in the world at that
time.
Smith was lucky in his negotiations for the
Linnaean collection (or Linnaean Cabinet, as it was known). The executor of
Linnaeus junior’s will was determined to conclude negotiations with Smith
before entertaining any other offers for the collection – those behind Smith in
the queue including Catherine the Great of Russia. As luck would have it,
Smith, by having first refusal, was certainly able to purchase the collection
for a bargain price – although for what was still a vast some of money at the
time.
In an excited letter to his father (who was
funding the purchase), Smith listed the collection as including: 3198 species
of insect, 1564 shells and another 200 “not arranged,” 2424 mineral specimens,
including 108 of silver, 31 of gold, and 45 birds in glass cases. “Baron
Alstromer is to have the small herbarium, and I am to give 900 guineas for the
rest.” The collection set sail from Sweden on the 2nd of October, 1784, in 26
cases on The Appearance under Captain Axel Sweder. Smith remarked that
the cases must themselves be vast, since the nearly 3000 books in the
collection took up only 6 of the 26 cases.
At 1000 Guineas, the biological collection of
Linnaeus was a steal. At least, King Gustavus III of Sweden thought so.
Gustavus had been touring in Venice and France, and on his return to Sweden was
incensed that the collection of Linnaeus had been sold to an outsider. The King
even dispatched a ship to intercept the collection on its way to England, a
chase immortalized in an etching by royal artist John Russel. But it was too
late: by the end of October the collection was safely in store in a British
customs house.
When his friend and colleague the Bishop of
Carlisle, Rev. Samuel Goodenough, heard of Smith’s purchase, he wrote: “Your
noble purchase of the Linnaean Cabinet most decidedly sets Britain above all
other nations in the Botanical Empire; and it were much to be wished that the
studies of individuals with respect to the science at large would become so
animated, that she might be induced to fix her seat among us.” His words
were an accurate assessment of the importance of possibly the greatest
collection of natural history in the world at that time. With the collection as
its cornerstone, Smith founded the Linnean Society, which is still the foremost
society of taxonomists in the world. Smith’s personal contribution was impressive.
He described numerous new plants from Britain, Greece, America and around the
world, as well as insects and lichens.
Smith was later also elected to the Royal Society
“without a single black ball,” and had the honour of instructing the queen
(Charlotte, wife of George III) and the royal princesses – although Smith’s
‘warm admiration’ for Rousseau (whose ideas may have influenced the French
Revolution) “scandalized her Majesty too irrecoverably, and he was dismissed
from this occupation.” It is not known whether Smith shared Rousseau’s politics
– he probably admired the French philosopher’s work in other fields. Despite
the scandal of his dismissal, Smith was knighted in 1814.
When Samuel Goodenough heard that Smith was
leaving Soho Square to return to Norfolk, he immediately rode over to try and
prevail upon him to stay in London. Goodenough was too late – Smith had already
packed and gone. As Goodenough wrote to Smith: “Directly I began grieving for
you and the Linnaean Society. At the distance of Norwich you will be quite
buried alive.” But as Lady Smith commented in her collection of her husband’s
letters, “In the city of Norwich he found himself among those who knew and
esteemed him.”
The Linnaean collection came to Norwich with
Smith, where it resided for the next 30 years until Smith’s death in 1828, when
Lady Smith sold it to the Linnean Society for £3150, a purchase that left the
society in debt for many years. More than 200 years after its purchase, the
Linnaean collection is still a vital resource for modern taxonomists.
It is arguable that no greater scientist has his
home in Norfolk. But what is Smith’s legacy? There is a brass plaque in St.
Peter Mancroft dedicated to him and his wife; his house (29 Surrey Street) has
a small plaque informing passers-by that he lived there. And that is all. Not
for Smith the immortality of bronze that Sir Thomas Browne enjoys. A
fascinating man, a real Norfolk hero and a vital contributor to British
science, Sir James Edward Smith deserves to be remembered.
“He found the science of botany, when
he approached it, locked up in a dead language; -he set it free by transfusing
it into his own. He found it a severe study, fitted only for the recluse; -he
left it of easy acquisition to all. In the hands of his predecessors, with the
exception of his immortal master, it was dry, technical and scholastic; -in
his, it was adorned with grace and elegance, and might attract the poet as well
as the philosopher.” - from Obituary in Philosophical
Magazine, May 1828.
Friday, 26 April 2013
Saga pedo - favourable conservation status in UK!?
I have heard Natural England accused of moving the goalposts in terms of defining favourable condition of Sites of Special Scientific Interest. However, if you wanted to find European-scale instance of strange conservation assessment, there's one right here.
Saga pedo is a whopping great carnivorous cricket.
Photo: www.educ-envir.org
Thing is, you don't get Saga pedo in the UK. Never have done. Can continued absence be described as favourable condition? I guess at least you could say things haven't got any worse.
Subscribe to:
Posts (Atom)





